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		<id>http://103.153.58.85/ind/index.php?action=history&amp;feed=atom&amp;title=Bhabendra_Nath_Saikia</id>
		<title>Bhabendra Nath Saikia - Revision history</title>
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		<updated>2026-05-07T07:35:35Z</updated>
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	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Bhabendra_Nath_Saikia&amp;diff=3596&amp;oldid=prev</id>
		<title>Pdewan at 16:12, 12 June 2013</title>
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				<updated>2013-06-12T16:12:52Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 16:12, 12 June 2013&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=Dr. Bhabendra Nath Saikia=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=Dr. Bhabendra Nath Saikia=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: director Bhabendra Nath Saikia.jpg| Bhabendra Nath Saikia|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;By Mofid &lt;/ins&gt;[[File: director Bhabendra Nath Saikia.jpg| Bhabendra Nath Saikia|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[http://tourismassam.blogspot.in/2008/02/about-jollywood-assamese-cinema.html Tourism Assam]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[http://tourismassam.blogspot.in/2008/02/about-jollywood-assamese-cinema.html Tourism Assam]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Kalsandhya (Twilight of Death) - In Hindi 1997, Colour &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Kalsandhya (Twilight of Death) - In Hindi 1997, Colour &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;=See also individual articles about=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Jyotiprasad Agarwalla]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Jahnu Baruah]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Tapan Das]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Zubeen Garg]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Moloya Goswami]]	&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Dr Bhupen Hazarika]]	&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Abdul Mazid]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Bhabendra Nath Saikia]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[Pranjal Saikia]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:India|S]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:India|S]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:Cinema-TV-Pop|S]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:Cinema-TV-Pop|S]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:Biography|S]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:Biography|S]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Bhabendra_Nath_Saikia&amp;diff=3517&amp;oldid=prev</id>
		<title>Pdewan: /* Dr. Bhabendra Nath Saikia */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Bhabendra_Nath_Saikia&amp;diff=3517&amp;oldid=prev"/>
				<updated>2013-06-10T06:33:07Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Dr. Bhabendra Nath Saikia&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 06:33, 10 June 2013&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[http://tourismassam.blogspot.in/2008/02/about-jollywood-assamese-cinema.html Tourism Assam]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[http://tourismassam.blogspot.in/2008/02/about-jollywood-assamese-cinema.html Tourism Assam]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Bhabendra_Nath_Saikia&amp;diff=3515&amp;oldid=prev</id>
		<title>Pdewan: /* Dr. Bhabendra Nath Saikia */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Bhabendra_Nath_Saikia&amp;diff=3515&amp;oldid=prev"/>
				<updated>2013-06-10T06:29:48Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Dr. Bhabendra Nath Saikia&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 06:29, 10 June 2013&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: director Bhabendra Nath Saikia.jpg| Bhabendra Nath Saikia|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: director Bhabendra Nath Saikia.jpg| Bhabendra Nath Saikia|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[http://tourismassam.blogspot.in/2008/02/about-jollywood-assamese-cinema.html Tourism Assam]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Bhabendra_Nath_Saikia&amp;diff=3511&amp;oldid=prev</id>
		<title>Pdewan: /* Dr. Bhabendra Nath Saikia */</title>
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				<updated>2013-06-10T06:21:15Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Dr. Bhabendra Nath Saikia&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 06:21, 10 June 2013&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=Dr. Bhabendra Nath Saikia=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=Dr. Bhabendra Nath Saikia=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;$$$$$$$$$$$$$$$$$$$$$$$&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[File: director Bhabendra Nath Saikia.jpg| Bhabendra Nath Saikia|frame|500px]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
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		<title>Pdewan: Created page with &quot;=Dr. Bhabendra Nath Saikia= $$$$$$$$$$$$$$$$$$$$$$$  The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift t...&quot;</title>
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				<updated>2013-06-10T06:20:07Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;=Dr. Bhabendra Nath Saikia= $$$$$$$$$$$$$$$$$$$$$$$  The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift t...&amp;quot;&lt;/p&gt;
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The one name that conjures up a feeling of warmth in every Assamese heart is that of Dr. Bhabendra Nath Saikia. His gift to the Assamese Society and in the fields of art., culture and literature has not yet been adequately measured. A very capable student of Physics and successful teacher of Gauhati University, Dr. Saikia entered the arena of literature with a few short stories that have shaken the very foundation of the form &amp;amp; style of Assamese fiction. With an eye to very minute details he used his pen with a depth surgeon’s precision. That was a unique beauty of his literary creations.His creativity is such that he was always found at the head of a line of stalwarts in his own field. Dr. Saikia with a handful of very distinct few of his age group, has taken Assamese literature to a very respectable height and in the process a horde of awards came his away. What is remarkable in his case is that the discerning people of Assam have lost count of the awards but have kept close to their heart his works like &amp;quot;SHRINGKHAL&amp;quot;, &amp;quot;BANAPRASTHA,&amp;quot; &amp;quot;GAHBAR&amp;quot;, &amp;quot;ANTAREEP&amp;quot; and the like. &lt;br /&gt;
&lt;br /&gt;
Added to this glorious creations, Dr. Saikia has made his way to a totally different field,namely of films. Someone has said about Dr. Saikia that he has a &amp;quot;Midas Touch&amp;quot; in whatever he puts his hand on. As if to prove this, he has directed such remarkable films like &amp;quot;SANDHYARAAG&amp;quot;, &amp;quot;AGNISHNAN&amp;quot;, &amp;quot; KOLAHAL&amp;quot;, &amp;quot; SARATHI&amp;quot;, and &amp;quot;KAALSANDHYA&amp;quot;. Each &amp;amp; everyone of his films received not only rave reviews but also recognition both in the country and abroad. An important point to be noted that all his films were based on his own literary creations. One good aspect of this transformation is that he could translate every bit of his literary details to celluloid. These achievements, it is needless to say, have done us proud.Dr Saikia has also put his hand &amp;amp; heart in the publication of few prestigious journals, the most popular &amp;quot;PRANTIK&amp;quot; is one with which he was associated from the very start. A children’s journal &amp;quot;SOFURA&amp;quot; discontinued for sometime, but has started again under his able leadership. &lt;br /&gt;
&lt;br /&gt;
Readers of &amp;quot;PRANTIK&amp;quot; will agree, that Dr. Saikia has given the journal a very respectable look not only its presentation but also in the variety and depth of its contents.Dr. Saikia’s creativity found other equally successful outlets. His radio plays are one. More particularly a few he created for children has not been bettered as yet by other similar creations. He has also given a status to the most famous trend in Assamese Theatre, Namely Mobile Theatre. A hitherto unknown trend was established by a few such theatrical group with very rich plays and appropriate directional touch by him.Dr. Saikia’s outstanding creations, be in celluloid or in the stage, have as yet achieved a landmark. They have given audiences a taste of the medias and people have learnt to appreciate a good film or a good play.It is our pleasure to present this wonderful personality to this select group of people here today and through them to the society at large.&lt;br /&gt;
&lt;br /&gt;
===Dr. Bhabendra Nath Saikia's films are===&lt;br /&gt;
&lt;br /&gt;
Sandhyaraag (Cry of Twilight) - 1977. B&amp;amp;W&lt;br /&gt;
&lt;br /&gt;
Anirban (The Vigil) - 1981. B&amp;amp;W&lt;br /&gt;
&lt;br /&gt;
Agnisnaan (Ordeal) - 1985, Colour&lt;br /&gt;
&lt;br /&gt;
Kolahal (The Turmoil) - 1988, Colour&lt;br /&gt;
&lt;br /&gt;
Sarothi (The Shelter) - 1991, Colour&lt;br /&gt;
&lt;br /&gt;
Abartan (On the Run) - 1993, Colour&lt;br /&gt;
&lt;br /&gt;
Itihaas (Exploration) - 1995, Colour&lt;br /&gt;
&lt;br /&gt;
Kalsandhya (Twilight of Death) - In Hindi 1997, Colour &lt;br /&gt;
&lt;br /&gt;
[[Category:India|S]]&lt;br /&gt;
[[Category:Cinema-TV-Pop|S]]&lt;br /&gt;
[[Category:Biography|S]]&lt;/div&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

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