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		<id>http://103.153.58.85/ind/index.php?action=history&amp;feed=atom&amp;title=Kissing_in_Hindi-Urdu_cinema</id>
		<title>Kissing in Hindi-Urdu cinema - Revision history</title>
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		<updated>2026-04-15T14:20:08Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61367&amp;oldid=prev</id>
		<title>Pdewan: /* 2016: The Top Two Khans still avoid kissing */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61367&amp;oldid=prev"/>
				<updated>2016-09-06T18:38:57Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;2016: The Top Two Khans still avoid kissing&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 18:38, 6 September 2016&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 185:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 185:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Subhash K. Jha&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Subhash K. Jha&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=2016: The Top Two Khans still avoid kissing=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=2016: The Top Two Khans still avoid kissing=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Salman Khan, film actor]] (no.1 since 2013) and [[Shah Rukh Khan]] (no.1 for the almost two decades before that) reached the top partly by being the favourites of family audiences. They have never kissed onscreen. [[Amitabh &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bacnchan&lt;/del&gt;]] (no.1 before SRK) had one kiss, in Black (2005), though.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Salman Khan, film actor]] (no.1 since 2013) and [[Shah Rukh Khan]] (no.1 for the almost two decades before that) reached the top partly by being the favourites of family audiences. They have never kissed onscreen. [[Amitabh &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bachchan&lt;/ins&gt;]] (no.1 before SRK) had one kiss, in Black (2005), though.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=See also=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=See also=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61366&amp;oldid=prev</id>
		<title>Pdewan: /* The 1990s */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61366&amp;oldid=prev"/>
				<updated>2016-09-06T18:25:03Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The 1990s&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 18:25, 6 September 2016&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 181:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 181:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;In Julie , Neha Dhupia too got boldly beautiful with co-stars Yash Tonk and Sanjay Kapoor. In her new release Sheesha, Neha goes all out with Sonu Sood. The French kisses are so French they make Shashi Kapoor and Zeenat Aman in Satyam Shivam Sundaram look like a priest and a nun.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;In Julie , Neha Dhupia too got boldly beautiful with co-stars Yash Tonk and Sanjay Kapoor. In her new release Sheesha, Neha goes all out with Sonu Sood. The French kisses are so French they make Shashi Kapoor and Zeenat Aman in Satyam Shivam Sundaram look like a priest and a nun.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;After decades of repression the on-screen kiss has reached a saturation point within two years, thanks to the excessive zeal displayed in films like Murder, Julie, Hawas and Sheesha.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;After decades of repression the on-screen kiss has reached a saturation point within two years, thanks to the excessive zeal displayed in films like Murder, Julie, Hawas and Sheesha &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[all of them being B and C films]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Subhash K. Jha&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Subhash K. Jha&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=2016: The Top Two Khans still avoid kissing=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Salman Khan, film actor]] (no.1 since 2013) and [[Shah Rukh Khan]] (no.1 for the almost two decades before that) reached the top partly by being the favourites of family audiences. They have never kissed onscreen. [[Amitabh Bacnchan]] (no.1 before SRK) had one kiss, in Black (2005), though.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=See also=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=See also=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61365&amp;oldid=prev</id>
		<title>Pdewan: /* 1944: Romancing with everything but the kiss */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61365&amp;oldid=prev"/>
				<updated>2016-09-06T18:17:16Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;1944: Romancing with everything but the kiss&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 18:17, 6 September 2016&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==1944: Romancing with everything but the kiss==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==1944: Romancing with everything but the kiss==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Beverley Nichols, '' Verdict on India ''&amp;#160; (1944) [http://8ate.blogspot.in/2012/04/hindu-hollywood-1944.html 8ate] wrote in 1944: It was late in the afternoon when we returned to the studio.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Beverley Nichols, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/ins&gt;'' Verdict on India &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/ins&gt;''&amp;#160; (1944) [http://8ate.blogspot.in/2012/04/hindu-hollywood-1944.html 8ate] wrote in 1944:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;It was late in the afternoon when we returned to the studio.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;A love scene was in progress. At least, it appeared to be a love scene, but somehow it never seemed to get going.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;A love scene was in progress. At least, it appeared to be a love scene, but somehow it never seemed to get going.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61364&amp;oldid=prev</id>
		<title>Pdewan at 18:14, 6 September 2016</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=61364&amp;oldid=prev"/>
				<updated>2016-09-06T18:14:42Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 18:14, 6 September 2016&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''This page is under construction''' It might have some references to non-Hindi cinema. If material grows, there might be separate pages on Kissing in each non-Hindi cinema&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;'''This page is under construction''' It might have some references to non-Hindi cinema. If material grows, there might be separate pages on Kissing in each non-Hindi cinema&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=The 1920s=&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;=The 1920s=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Karma.jpg| Karma (1933) featured one of India’s early onscreen kisses: legitimised only somewhat by the fact that heroine Devika Rani was kissing her real life husband, actor &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Himanshu &lt;/del&gt;Rai. At four minutes it probably remains the longest kissing scene in the history of Indian cinema. |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Karma.jpg| Karma (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;English language/ &lt;/ins&gt;1933) featured one of India’s early onscreen kisses: legitimised only somewhat by the fact that heroine Devika Rani was kissing her real life husband, actor&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;- producer Himansu &lt;/ins&gt;Rai. At four minutes it probably remains the longest kissing scene in the history of Indian cinema. |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sangam kiss.png| Sangam (1964): a European couple kisses in Paris |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Sangam kiss.png| Sangam (1964): a European couple kisses in Paris |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Biswajeet kiss.jpg| |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Biswajeet kiss.jpg| |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54286&amp;oldid=prev</id>
		<title>Pdewan at 15:53, 4 December 2015</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54286&amp;oldid=prev"/>
				<updated>2015-12-04T15:53:36Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 15:53, 4 December 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: Some famous kissing scenes in Hindi-Urdu (and Kannada) films.jpg| Some famous kissing scenes in Hindi-Urdu (and Kannada) films; Graphic courtesy: [http://epaperbeta.timesofindia.com/Gallery.aspx?id=21_11_2015_027_025_002&amp;amp;type=P&amp;amp;artUrl=NEWS-ICLE-21112015027025&amp;amp;eid=31808 ''The Times of India''], November 21, 2015|frame|500px]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima shiraz0.png| Prince Khurram (Charu Roy) chats up Selima (Enakshi Rama Rau) and gets her emotional in Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima shiraz0.png| Prince Khurram (Charu Roy) chats up Selima (Enakshi Rama Rau) and gets her emotional in Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima shiraz.png| Selima (Enakshi Rama Rau) lets Prince Khurram (Charu Roy) kiss her, though she has a childhood sweetheart, the eponymous Shiraz. Selima later becomes Mumtaz Mahal and Khurram turns into Shah Jehan. From Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima shiraz.png| Selima (Enakshi Rama Rau) lets Prince Khurram (Charu Roy) kiss her, though she has a childhood sweetheart, the eponymous Shiraz. Selima later becomes Mumtaz Mahal and Khurram turns into Shah Jehan. From Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Zubeida in Zarina.jpg|Zubeida in '' Zarina '' (1932): Indpaedia has not been able to get hold of the kissing scene from the film, but this attire was considered hot at the time. |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Zubeida in Zarina.jpg|Zubeida in '' Zarina '' (1932): Indpaedia has not been able to get hold of the kissing scene from the film, but this attire was considered hot at the time. |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: Some famous kissing scenes in Hindi-Urdu (and Kannada) films.jpg| Some famous kissing scenes in Hindi-Urdu (and Kannada) films; Graphic courtesy: [http://epaperbeta.timesofindia.com/Gallery.aspx?id=21_11_2015_027_025_002&amp;amp;type=P&amp;amp;artUrl=NEWS-ICLE-21112015027025&amp;amp;eid=31808 ''The Times of India''], November 21, 2015|frame|500px]] &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54284&amp;oldid=prev</id>
		<title>Pdewan at 15:52, 4 December 2015</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54284&amp;oldid=prev"/>
				<updated>2015-12-04T15:52:05Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 15:52, 4 December 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Zubeida in Zarina.jpg|Zubeida in '' Zarina '' (1932): Indpaedia has not been able to get hold of the kissing scene from the film, but this attire was considered hot at the time. |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Zubeida in Zarina.jpg|Zubeida in '' Zarina '' (1932): Indpaedia has not been able to get hold of the kissing scene from the film, but this attire was considered hot at the time. |frame|500px]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: Some famous kissing scenes in Hindi-Urdu (and Kannada) films.jpg| Some famous kissing scenes in Hindi-Urdu (and Kannada) films; Graphic courtesy: [http://epaperbeta.timesofindia.com/Gallery.aspx?id=21_11_2015_027_025_002&amp;amp;type=P&amp;amp;artUrl=NEWS-ICLE-21112015027025&amp;amp;eid=31808 ''The Times of India''], November 21, 2015|frame|500px]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54181&amp;oldid=prev</id>
		<title>Pdewan at 19:24, 30 November 2015</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54181&amp;oldid=prev"/>
				<updated>2015-11-30T19:24:23Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 19:24, 30 November 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima shiraz0.png| Prince Khurram (Charu Roy) chats up Selima (Enakshi Rama Rau) and gets her emotional in Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima shiraz0.png| Prince Khurram (Charu Roy) chats up Selima (Enakshi Rama Rau) and gets her emotional in Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;shiraz0&lt;/del&gt;.png| Selima (Enakshi Rama Rau) lets Prince Khurram (Charu Roy) kiss her, though she has a childhood sweetheart, the eponymous Shiraz. Selima later becomes Mumtaz Mahal. From Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: khurram selima &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;shiraz&lt;/ins&gt;.png| Selima (Enakshi Rama Rau) lets Prince Khurram (Charu Roy) kiss her, though she has a childhood sweetheart, the eponymous Shiraz. Selima later becomes Mumtaz Mahal &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and Khurram turns into Shah Jehan&lt;/ins&gt;. From Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: A Throw of Dice1.png|Seeta Devi (which was the screen name of Renee Smith) and&amp;#160; Charu Roy in '' A Throw of Dice '' (1929), a silent film|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: A Throw of Dice1.png|Seeta Devi (which was the screen name of Renee Smith) and&amp;#160; Charu Roy in '' A Throw of Dice '' (1929), a silent film|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54179&amp;oldid=prev</id>
		<title>Pdewan at 19:13, 30 November 2015</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=54179&amp;oldid=prev"/>
				<updated>2015-11-30T19:13:49Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 19:13, 30 November 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: khurram selima shiraz0.png| Prince Khurram (Charu Roy) chats up Selima (Enakshi Rama Rau) and gets her emotional in Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[[File: khurram selima shiraz0.png| Selima (Enakshi Rama Rau) lets Prince Khurram (Charu Roy) kiss her, though she has a childhood sweetheart, the eponymous Shiraz. Selima later becomes Mumtaz Mahal. From Franz Osten’s silent film ''Shiraz '' (1928)|frame|500px]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: A Throw of Dice1.png|Seeta Devi (which was the screen name of Renee Smith) and&amp;#160; Charu Roy in '' A Throw of Dice '' (1929), a silent film|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: A Throw of Dice1.png|Seeta Devi (which was the screen name of Renee Smith) and&amp;#160; Charu Roy in '' A Throw of Dice '' (1929), a silent film|frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[File: Heer Ranjha, Kiss, 1929.jpg| D.Billimoria and Sulochana (aka Ruby Meyers) in '' Heer Ranjha (@ Beauty of Punjab @ Hoor e Punjab) ''&amp;#160; (1929), produced by Imperial Film of Bombay |frame|500px]] &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=46908&amp;oldid=prev</id>
		<title>Pdewan: /* The 1960s */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=46908&amp;oldid=prev"/>
				<updated>2015-06-16T18:52:20Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The 1960s&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 18:52, 16 June 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 114:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 114:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Indpaedia has reproduced on this page a picture of Rishi Kapoor kissing Dimple Kapadia in Raj Kapoor's ''Bobby'' (1973)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Indpaedia has reproduced on this page a picture of Rishi Kapoor kissing Dimple Kapadia in Raj Kapoor's ''Bobby'' (1973)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Then the censors not only exempted kisses but also breast-exposure never seen before in Indian films (or after, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;til &lt;/del&gt;Kapoor's own Ram Teri Ganga Maili/ 1985) for Kapoor's '' Satyam Shivam Sundaram'' (1978).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Then the censors not only exempted kisses but also breast-exposure never seen before in Indian films (or after, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;till &lt;/ins&gt;Kapoor's own Ram Teri Ganga Maili/ 1985) for Kapoor's '' Satyam Shivam Sundaram'' (1978).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;If kissing was banned in Indian cinema, why the exception for Kapoor? The Rekha-Biswajeet kiss (picture on this page) never made it to the screen.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;If kissing was banned in Indian cinema, why the exception for Kapoor? The Rekha-Biswajeet kiss (picture on this page) never made it to the screen.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

	<entry>
		<id>http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=46907&amp;oldid=prev</id>
		<title>Pdewan: /* The 1960s */</title>
		<link rel="alternate" type="text/html" href="http://103.153.58.85/ind/index.php?title=Kissing_in_Hindi-Urdu_cinema&amp;diff=46907&amp;oldid=prev"/>
				<updated>2015-06-16T18:51:08Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The 1960s&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
			&lt;tr valign='top'&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
			&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 18:51, 16 June 2015&lt;/td&gt;
			&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 110:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 110:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Sangam (1964) featured a kiss between a European couple in Paris, as Kapoor and Vyjantimala watched. This was the first kiss in an Indian film after kisses were censored out in the 1930s.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Sangam (1964) featured a kiss between a European couple in Paris, as Kapoor and Vyjantimala watched. This was the first kiss in an Indian film after kisses were censored out in the 1930s.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Mera Naam Joker (1969) had Raj Kapoor kissing Ksenia Ryabinkina. If kissing was banned in Indian cinema, why the exception for Kapoor? The Rekha-Biswajeet kiss (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;see below&lt;/del&gt;) never made it to the screen.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Mera Naam Joker (1969) had Raj Kapoor kissing Ksenia Ryabinkina. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Indpaedia has reproduced on this page a picture of Rishi Kapoor kissing Dimple Kapadia in Raj Kapoor's ''Bobby'' (1973)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Then the censors not only exempted kisses but also breast-exposure never seen before in Indian films (or after, til Kapoor's own Ram Teri Ganga Maili/ 1985) for Kapoor's '' Satyam Shivam Sundaram'' (1978).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;If kissing was banned in Indian cinema, why the exception for Kapoor? The Rekha-Biswajeet kiss (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;picture on this page&lt;/ins&gt;) never made it to the screen.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==1969: GD Khosla, Rekha, Biswajeet…==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;==1969: GD Khosla, Rekha, Biswajeet…==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;''Sources include''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;''Sources include''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Pdewan</name></author>	</entry>

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