Bajrangi Bhaijaan
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Films that make viewers’ eyes go wet are those that connect with them. Bajrangi Bhaijaan has obviously done that. which is why in yet another article in ''India Today '' Ananya Bhattacharya speculated if the film would collect Rs500 crore—just under one and a half times the previous record—at the international box office. | Films that make viewers’ eyes go wet are those that connect with them. Bajrangi Bhaijaan has obviously done that. which is why in yet another article in ''India Today '' Ananya Bhattacharya speculated if the film would collect Rs500 crore—just under one and a half times the previous record—at the international box office. | ||
| − | Whether or not Bajrangi Bhijaan actually touches that figure, its First Day’s collection showed that it was | + | Whether or not Bajrangi Bhijaan actually touches that figure, and it is not likely to, its First Day’s collection showed that it was a major hit, but unlikely to set new records. |
==Day-/ week- wise figures== | ==Day-/ week- wise figures== | ||
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Mumbai alone: Rs 10 crore plus. | Mumbai alone: Rs 10 crore plus. | ||
| − | All India: Rs | + | All India: Rs 30 crore plus. |
| − | This was better than expected. (The film’s Day was in the month of Ramzan, though its last day. Therefore, most pious Muslims stayed away from the film on 17 July.) | + | This was better than expected. However, in post- ''Bãhubali: The Beginning '' India even Rs.30 crore do not look spectacular any more. (The film’s Day 1 was in the month of Ramzan, though its last day. Therefore, most pious Muslims stayed away from the film on 17 July.) |
=Chand Nawab= | =Chand Nawab= | ||
Revision as of 21:24, 17 July 2015
‘A film called Bajrangi Bhaijaan releasing on Eid. A Muslim superstar playing the role of a Hanuman-bhakt. As far as bringing Hindus and Muslims together is concerned, Kabir Khan is doing his bit to make sure the secular flavour of Bajrangi Bhaijaan is un-meddled with’ Ananya Bhattacharya wrote in India Today
‘Pawan Kumar Chautrvedi (Salman) enjoys the burden of carrying the legacy of his R S S member father in Pratapgarh, UP. This is not exactly a load as Pawan grows up to be an extremely religious guy who likes to bow down to every monkey he meets. Turns out, he is least interested in studies and wrestling, two streams his father wants him to excel in. Pawan's life is turned upside down when his father sends him away to Delhi for, what else, a job.’ Rohit Vats wrote in Hindustan Times
‘Once in the city, he meets Rasika (Kareena) and her tough-nut father Digambar (Sharat Saxena), a devout Brahmin.’ (From Rohit Vats wrote in Hindustan Times)
‘Purani Dilli, the director's choice for unfolding the basic premise, serves him well. The crowded bylanes of the walled city demonstrate the extent to which the religious lives of the Hindus and the Muslims are entangled in this part of the world,’ (Rohit Vats, Hindustan Times)
The little Pakistani girl who has strayed into India. That she cannot speak adds to the problems.
Harshaali Malhotra and Salman Khan, film actor, in Bajrangi Bhaijaan.
‘While struggling to find Munni's religion, Pawan declares: "Ye Brahmin hogi, dekhti nahi kitni gori hai." In another scene, when he finds Munni eating chicken, he mutters, "Kshatriya hogi, wo maas khate hain aur gore bhi hote hain."’ (From Rohit Vats, Hindustan Times
Chand Nawab, a Pakistani reporter (Nawazuddin Siddiqui) joins their efforts.
Salman Khan, Harshaali Malhotra and Nawazuddin Siddiqui in Bajrangi Bhaijaan .
‘Bajrang Bali will help us, no?’ Bajrangi replies.
‘Even in Pakistan?’ Chand Nawab asks, incredulously...
Salman Khan, Harshaali Malhotra and Nawazuddin Siddiqui in Bajrangi Bhaijaan .
Salman Khan in Bajrangi Bhaijaan
Harshaali Malhotra and Salman Khan in Bajrangi Bhaijaan
Bajrangi Bhaijaan
Bajrangi Bhaijaan
With the story being focussed on how Bajrangi (Salman) gets to know a mute Pakistani girl (Harshaali Malhotra) and then travels illegally through Pakistan to reunite her with her parents, Rasika (Kareena Kapoor ) pops up only in the film’s initial stages and when the film is about to end—for less than 30 minutes in all.
With Salman Khan and Harshaali Malhotra in Bajrangi Bhaijaan
Salman Khan, film actor, in Bajrangi Bhaijaan
Salman Khan, film actor, in Bajrangi Bhaijaan
Salman Khan, film actor, on the sets of Bajrangi Bhaijaan
India Today's report was headlined, ‘Shah Rukh, Aamir together for Salman,’ because a while later even Aamir Khan tweeted the first look
This is a collection of articles archived for the excellence of their content. |
Box office figures are being updated daily for the first few days; regularly thereafter. |
Contents |
Bajrangi Bhaijaan (2015)
Crew
Directed by
Kabir Khan
Written by
Vijayendra Prasad
Produced by
Salman Khan
Kabir Khan
Music
Pritam Chakraborty
Background Score
Julius Packiam
Cinematography
Aseem Mishra
Cast
Salman Khan, film actor, as Bajrangi
Kareena Kapoor as Rasika
Nawazuddin Siddiqui as the Pakistani reporter
Emraan Hashmi
Ali Quli Mirza
Najeem Khan
Mir Sarwar
…and Harshaali Malhotra
Indpaedia has a special page about the little doll who has already taken India and Pakistan by storm, Harshaali Malhotra
Locations
Bajrangi Bhaijaan was shot in:
New Delhi: November 2014
Mandawa, near Shekhawati in Rajasthan: January 2015, including at the Fort
Jhunjhunu district: January 2015
Kashmir, mainly Pahalgam: April,May 2015
Reviews
‘As expected, Salman Khan and Kareena Kapoor starrer "Bajrangi Bhaijaan" has opened to rave reviews from film critics,’ IBTimes wrote a few hours after the film’s first reviews started coming in.
Imdb summed up the First Day’s reviews with an average of **** four stars from selected reviews and an 8.3/10 rating from 123 votes.
The Times of India gave the film **** four stars out of five.
Srijana Mitra Das wrote: ‘Bajrangi Bhaijaan is Salman Khan's most daring film where Salman presents a beautiful performance - but allows the story to be the real dabangg… With Bajrangi, you meet a whole new Salman - this is not the shirt-ripping, ab-flaunting, dialogue-maro-ing Khan but a simple, innocent and honest man, who fails, gets tricked and beaten up - but never shaken from his purpose.
‘With gentleness and no gimmicks, Salman puts on a polished, luminous performance …Bajrangi Bhaijaan is a pure South Asian jalebi, rounded, warm, simple and sweet. Kabir captures the tension of India-Pakistan without negativity and with soft charm, skillfully using a superstar as an actor, a child artist as a superstar and a border as a muse that opens up the world.’
India Today gave the film 3.5 out of 5.
Ananya Bhattacharya went to the extent of asking ‘Bajrangi Bhaiijaan is a Salman Khan film. Honestly, why does one even need a review!?’ However, Bhattacharya added, Bajrangi Bhaiijaan ‘does have Salman, sure, but he's hardly the driving force of the film; What shines through more than anything else in this film are two people - Nawazuddin Siddiqui and child artiste Harshaali Malhotra.’
Almost all critics agreed on the contributions of Nawazuddin Siddiqui and Harshaali Malhotra.
‘In all, Bajrangi Bhaijaan works for both a Salman fan and a non-fan,’ Bhattacharya concluded.
Bhattacharya’s India Today colleague Suhani Singh gave the film 2 ½ stars. Shubhra Gupta of Indian Express also gave 2 ½ stars. So did Saibal Chatterjee of NDTV: another 2 ½ stars. India Today’s average of these 5 leading reviewers was *** 3 stars out of 5.
ndtv.com echoed the mood of the critics. It wrote: ‘Watch Bajrangi Bhaijaan even if you aren't an inveterate Salman Khan fan. Harshaali will steal your heart.’
Indian Express said: ‘An adorable little girl, a superstar named Salman Khan - bhaiyya, and behena presenting 'Bajrangi Bhaijaan'.’
KoiMoi.com gave the film 3.5/5 stars, adding, ‘What's Good: Emotion, drama, humour- in short, the Salman Khan package of entertainment.’
Hindustan Times gave the film 2 ½ stars. Rohit Vats wrote:
‘Kabir Khan's Bajrangi Bhaijaan is one film that will bring them to the theatres in droves and you'd do yourself a favour by keeping quiet even if you think this film is over the top. But then, chances are that you may also love it.’
Mid-Day’s Shubha Shetty Saha wrote:
‘If you think you have to leave your brains at home for a Salman Khan film, be surprised. This one will need you to take your heart along with your brains as well. For above everything else, 'Bajrangi Bhaijaan' sure has its heart in its right place.
‘This movie portrays secularism in an unpreachy, fun way. No taxing jingoism, no chest beating dialogues, instead you are served self-effacing humour and smart lines
‘The story (by V.Vijayendra Prasad) is about conversion. No, not the archaic one religion to another kind, but of the humane variety; from being conditioned to be rigid about one's own religion to peacefully accepting to co-exist with the unique ways of other religions.
‘Salman Khan pleasantly surprises with his un-hero like …and Nawazuddin, who's trusted to make his characters most believable is perfectly cast. But it is the little Harshaali Malhotra who will steal your heart with her angelic face and evidently natural talent.
‘Be ready to want to wolf whistle, even when you have a tear or two stealthily streaming down your cheek. Watch it.’
Karan Johar tweeted much the same: There wasn't a dry eye at the end of the screening
Box office collections
Sources include KoiMoi.com
The Rs500 crore club?
Films that make viewers’ eyes go wet are those that connect with them. Bajrangi Bhaijaan has obviously done that. which is why in yet another article in India Today Ananya Bhattacharya speculated if the film would collect Rs500 crore—just under one and a half times the previous record—at the international box office.
Whether or not Bajrangi Bhijaan actually touches that figure, and it is not likely to, its First Day’s collection showed that it was a major hit, but unlikely to set new records.
Day-/ week- wise figures
Day 1
Mumbai alone: Rs 10 crore plus.
All India: Rs 30 crore plus.
This was better than expected. However, in post- Bãhubali: The Beginning India even Rs.30 crore do not look spectacular any more. (The film’s Day 1 was in the month of Ramzan, though its last day. Therefore, most pious Muslims stayed away from the film on 17 July.)
Chand Nawab
Nawazuddin Siddiqui plays Chand Nawab, a Pakistani journalist, in the film.
Chand Nawab is also the name of an actual Pakistani journalist.
India Today recalls: Chand Nawab is a Pakistani journalist based in Karachi, who was employed with Indus News when he shot to fame. An unedited P2C clip of Chand Nawab had been uploaded on the internet by his colleagues, to play a prank on the reporter.’ After the video [of Chand Nawab reporting from Karachi on Eid] went viral in 2008 many parodies and remixes of the original P2C clip followed. These can be viewed on the India Today site.
While reviewing the film India Today added: Nawazuddin Siddiqui ‘steps into the shoes of the famous journalist Chand Nawab, using the same name, and kills it from Frame 1. Post intermission, the actor reiterates the shot that had shot the original Chand Nawab to fame - the rail over bridge, the moving train in the background, Nawab's irritation, et al. And what doesn't require saying is that Siddiqui gets it perfect, even better than probably the real Chand Nawab.’
The Times of India describes the ‘crackling Nawazuddin[‘s role as a] small-time Pakistani journalist Chand Nawab, hungry for 'Bariking News' but moved beyond TRPs by Bajrangi's quest, and the screen's alight with lovely acting, with a hilarious 'Begum', a child who glows and wanes like the sun, humans who treasure humanity beyond barbed wire and border guards.’
Release date
17 July 2015 ( a day before Eid ul Fitr in most parts of India; Eid day in some other regions)
The Hanuman Chalisa controversy
In the trailer of Bajrangi Bhaijaan the leading character, a devotee of Hanuman ji (played by Salman Khan, film actor), is heard chanting two verses from The Hanuman Chalisa, both of which assure devotees that Hanuman ji will protect them.
He first chants
sab sukh la-ha-é tumhârî sharnâ
tum rakshak kâhû ko Darnâ?
(‘Under Your shelter are joy and cheer/ With You as protector what’s there to fear?’: From Parvez Dewan’s now out-of-print The Hanumân Châlîsâ of Goswâmî Tulasi Dâs jî (Viking-Penguin/ 2001)
Here he resorts to two minor over-compensations: he uses the Hindi sharnâ and rakshak instead of the Avadhi sarnâ and rach-chhak of The Hanuman Chalisa. The sincerity of Salman Khan and director Kabeer Khan should be appreciated. However, clearly they did not research adequately—or their advisor on Hinduism did not tutor them adequately.
(The concept of over-compensation in the context of Hindi-Bhojpuri was lucidly explained in the song Saawan ka maheena--pawan karey sor/ shor from the film Milan/ 1967.)
The second verse created some needless controversy (The Times of India, Deccan Chronicle). The Salman Khan character then says
sañkaT hara-é miTa-é sab pîrâ
jo sumira-é Hanumat bal-bîrâ
(Calamities vanish, pains disappear/ For those who Hanumat, the brave, revere: : From Parvez Dewan’s The Hanumân Châlîsâ of Goswâmî Tulasi Dâs jî (Viking-Penguin/ 2001))
Here, he says hara-é (is taken away) instead of kaTa-é (is cut short). Both words reach the same conclusion.
Parvez Dewan’s The Hanumân Châlîsâ of Goswâmî Tulasi Dâs jî had looked at around 51 versions of the Châlîsâ. They have minor differences, like the less common tãsu amit instead of the more popular soî amit, Sajeevan and Sanjeevan. However, none of the versions said hara-é instead of kaTa-é. In two Google searches by Indpaedia’s volunteers, out of twenty results nineteen said kaTa-é. The twentieth had a third alternative! RS-rel uses the word haTey (is removed), which, too, leads to the same assurance.
Summary: There is no need to shriek ‘the biggest blunder of Salman Khan,’ as a Hyderabad daily did. There are minor regional variations not only in very old Hindu prayers (e.g. the Ram Dhun/ Raghupati Raghav…) but also in lists of The 99 Names of Allah. Kabeer Khan’s advisor chose some obscure variant that meant the same as the mainstream versions, but used different words. This is not a blunder. Just a lack of a scholarly approach, using which scholars weigh the relative usage of different versions. The newspapers calling this a blunder, too, lack a scholarly approach, because they are not aware of the existence of regional variants.
Indeed, one of the newspapers has got the words wrong. It has written ‘Hanuman balbeerâ’ instead of ‘Hanumat balbeerâ.’ Hanuman has a longer mãtrã than Hanumat. Therefore, no version can possibly say Hanuman.
In their recitations, Amitabh Bachchan and Hari Om Sharan have employed the usages Sajeevan-Bharathi and Sanjeevan-Bharatahi, respectively. Which of them has committed the blunder? Indpaedia's view is: neither.
There is no blunder if you use an obscure version. However, you win more hearts if you use a popular version.
See also:
See also
Bajrangi Bhaijaan
