Revision as of 14:57, 2 December 2018

Meena Kumari at age 39 or 40, in her last film, Pakeezah (1972)

The person

Meena Kumari: Lesser known facts

The Times of India

Meena Kumari ruled celluloid until her death in 1972. Her seductive voice and charismatic screen presence captured millions of hearts. Her life was nothing less than a roller coaster ride. From passion, romance, love, success to tragedy - she witnessed all of these in her real life too. Director Tigmanshu Dhulia has roped in Kangana Ranaut to essay the role of Meena Kumari in her biopic. On her death anniversary, let's take a look at the lesser known aspects of her life.

Debut at the age of 4: Because of her strikingly good looks, Meena Kumari started working at the age of 4, to help support her family. She became a common face at various studios. Meena made her acting debut at the age of 7, as a child actor in Farzande Watan. She played the daughter of Jairaj Singh in the movie. In the year, 1950, she also played Jairaj Singh's love interest in the film Maghroor.

Changed her name: Meena Kumari was born in 1932. Her father, Master Ali Bux had migrated from Bhera. Her mother, Iqbal Begum, was a Bengali Christian who converted to Islam. Meena Kumari's original name was Mehajabeen Naaz. The director of Farzande Watan, Vijay Bhatt, changed her name to Baby Meena for his movie. Once she grew up, she became popularly known as Meena Kumari.

Meena Kumari as a Hindu goddess: Prior to acting in films, Meena Kumari had become a regular face in Hindu mythological shows. Meena used to be roped in for many mythological shows, and she used to play Hindu goddess in most of these shows. After she made her way into the industry, there was no looking back for the actress. She quoted high fees and producers used to wait outside her house. She gained financial independence and there was no pressure on her to compromise with the roles she was offered.

Closeness to Gulzar: Meena Kumari had no formal education, but she was quite well versed in Urdu and Hindi. She was an ardent reader. She also used to write poems in Urdu, many of which even got published. Her love for poetry also brought her closer to Gulzar.

Kamal Amrohi: In Meena's words, Kamal Amrohi was the perfect man for her. They used to write letters to each other, talk on phone all night. Meena's family was against the idea of her tying the knot with Kamal. And thus, one night, Meena moved to Kamal's apartment unannounced. The duo got married in a private ceremony. However, Meena Kumari's growing popularity became a problem in their love nest. Kamal had imposed many restrictions on her. After a marriage that lasted for almost a decade, the couple parted ways.

Meena Kumari's obsession for white: Meena Kumari was not a party person. In her biography, Vinod Mehta has described that Meena used to get bored at such events. But she mostly attended all the events and parties in a particular white saree. The book also states that Meena Kumari had decorated her house mostly with white objects.

Meena Kumari and Dharmendra

Men who loved and left Meena Kumari

Chandrima Pal, Mumbai Mirror | Aug 15, 2013

[1] The biography

Kumari's biography could well revive conversations about men who loved and left her

Veteran journalist Vinod Mehta's biography of Meena Kumari, first published in 1972, was written at a time when biographies were few and far between, and stars

While most of Meena Kumari's co-stars and colleagues easily opened up to the charismatic writer (except Dharmendra with whom she was rumoured to be having an affair), Mehta found the domestic helps, the drivers and the make-up artists to be the most resourceful. "They had no axe to grind, and I had no reason to disbelieve them," he says.

During the four months that he researched for and wrote the book, Mehta was drawn to his heroine's multi-faceted personality. "Unlike today's stars, she had many dimensions - she read poetry, had literary friends, aspired to the higher life and was an alcoholic. She also represented that generation of young Muslim girls who were pushed into the film industry so that they could become their family's meal tickets. Meena Kumari's family too exploited her and felt betrayed when she married KamalAmrohi," he says. Meena Kumari also thought of herself as a Marilyn Monroe, "unlucky and unloved," says Mehta, adding that "she drank because she wanted to get drunk, not because she enjoyed it."

EXCERPT

Meena-even after she had stopped seeing Dharmendra had great regard for him. There were two reasons for this: One, Mr Dharam was her protege, her pupil. She had helped him enormously in the initial stages of his career, and she took legitimate pride when he made good. Dharam himself has never tried to minimise the debt he owes to Meena for making him what he is today.

Two, He was among the very few men who were genuinely good to her. In real life I believe he is a thoroughly decent and unpretentious guy, and he thought a lot of my heroine. (Each time he went to see her in Landmark, he would come out of her room crying. Khursheed once asked him why. 'I can't help it,' was his simple and honest reply.) The popular view is that Meena and Dharam were intimate for three years. The inside view is that the intimacy lasted no more than six months.

While it lasted, however, it glittered and in six months this couple had given rise to rumours enough for many years. No denying that Dharam enjoyed the limelight. He was an unknown boy and his liaison with India's foremost actress got him a lot of grantis publicity. Most of the time he was visibly at her side and when he was not, he made sure this news travelled.

He had gone to Delhi for the premiere of Kaajal, and at some party there downed a couple of excess drinks. When he arrived at the airport, the authorities noticing his inebriated state, refused to let him in the plane. 'But I must get back to Bombay. I must,' he entreated, 'Meena is waiting for me'. This statement and incident were faithfully reported in the press the next day. My heroine did not fall short either. She had gone in a convoy to a picnic with lots of friends among whom was Mr Dharmendra. While returning, somehow Dharam got inside a different car from Meena and whisked away. She was hysterical. She wanted to know why he wasn't in the car beside her. She wanted to know whether he had run away. She wanted to know if something had possibly happened to him. The other picnicker s assured that all was well with Dharam and through an oversight he had left in one of the other cars. But this assurance wasn't enough. Meena directed the driver of her car to stop. He did. Coolly she got out of the car and went onto the middle of the road. Here, cross-legged, she sat and began lamenting loudly, 'Where is my Dharam? Where is my Dharam?'

If you were involved with Meena, that automatically meant that you were involved in fairy-tale fiction. Dharam received his share. A slapping incident is rumoured, a full-scale fist fight between Mrs Dharmendra and my heroine in Shrinagar is rumoured, a couple of drinking incidents where Meena had to stabilise her man are rumoured.

-Excerpt from Vinod Mehta, Meena Kumari, The Classic Biography, Published by Harper Collins

Filmography

As an actor

1939 Leatherface

1940 Ek Hi Bhool

1940 Pooja

1941 Bahen

1941 Kasauti

1941 Nai Roshni

1942 Garib

1943 Pratiggya

1944 Lal Haveli

1946 Bachchon Ka Khel

1946 Duniya Ek Sarai

1947 Piya Ghar Aaja

1948 Bichchade Balam

1949 Veer Ghatotkach

1950 Anmol Ratan

1950 Hamara Ghar

1950 Magroor

1950 Shri Ganesh Mahima

1951 Hanumaan Pataal Vijay

1951 Lakshmi Narayan

1951 Madhosh

1951 Sanam

1952 Aladdin Aur Jadui Chirag

1952 Baiju Bawra

1952 Tamasha

1953 Daera

1953 Dana Paani

1953 Do Bigha Zamin

1953 Foot Path

1953 Naulakha Haar

1953 Parineeta

1954 Baadbaan

1954 Chandni Chowk

1954 Ilzam

1955 Adil-E-Jahangir

1955 Azaad

1955 Bandish

1955 Rukhsana

1956 Bandhan

1956 Ek-Hi-Rasta

1956 Guru Ghantal

1956 Halaku

1956 Jayam Manade

1956 Mem Sahib

1956 Naya Andaz

1956 Shatranj

1957 Miss Mary

1957 Sharada

1958 Farishta

1958 Sahara

1958 Savera

1958 Yahudi

1959 Ardhangini

1959 Chand

1959 Chirag Kahan Roshni Kahan

1959 Four Faces of India

1959 Jagir

1959 Madhu

1959 Satta Bazaar

1959 Shararat

1960 Bahaana

1960 Dil Apna Aur Preet Parai

1960 Kohinoor

1961 Bhabhi Ki Chudiyan

1961 Pyaar Ka Saagar

1961 Zindagi Aur Khwab

1962 Aarti

1962 Main Chup Rahungi

1962 Sahib Bibi Aur Ghulam

1962/I Dakshayagnam

1963 Akeli Mat Jaiyo

1963 Dil Ek Mandir

1963 Kinare Kinare

1964 Benazir

1964 Chitralekha

1964 Gazal

1964 Maain Bhi Ladki Hun

1964 Sanjh Aur Savera

1965 Bheegi Raat

1965 C.I.D

1965 Jadui Angoothi

1965 Kaajal

1965 Purnima

1966 Phool Aur Patthar

1966 Pinjre Ke Panchhi

1967 Bahu Begum

1967 Chandan Ka Palna

1967 Majhli Didi

1967 Noorjehan

1967 Sudigundaalu

1968 Abhilasha

1968 Baharon Ki Manzil

1969 Buddimantudu

1970 Jawab

1970 Saat Phere

1971 Dushman

1971 Mere Apne

1972 Pakeezah

1972 Gomti Ke Kinare

Poetry

Tanha Chaand [the lonely queen] a collection of Urdu poems written under the name Naaz

Discography

I write, I recite an album cut with Polydor (Music India Ltd) and available on YouTube and YouTube2