MS Subbulakshmi
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A legend: 1916-2004
The Hindu, September 22, 2015
M. S. Subbulakshmi, in the 100 years since her birth, has had an irreplaceable influence over classical musicians spanning across age, gender and borders. It was destined that the universal and the eternal quality of her musical oeuvre would immortalise her in the world of Indian classical music. Despite the charm that chartered her to the cinema world in the early 1930s and the conferment of prestigious awards like the Padma Bhushan when she was just 38, the aura of purity and devotion to tradition that she exuded went far beyond music.
Achievements
The Hindu, September 22, 2015
1. The first musician to be awarded the Bharat Ratna, India’s highest civilian honour, in 1998.
2. The first Indian musician to receive the Ramon Magsaysay award, Asia's highest civilian award, in 1974.
3. The first woman to be honoured with the title Sangeetha Kalanidhi, considered the Nobel of Carnatic music, by the Music Academy in 1968.
4. Her first recording was released at the age of 10 and she made her first public performance at the age of 16. An expert in devotional musical forms in different languages including Tamil, Kannada, Sanskrit and Malayalam, MS held concerts at Carnegie Hall, New York and the UN General Assembly on UN day in 1966.
5. Recipient of the Padma Bhushan in 1954, Padma Vibhushan in 1975, Sangeet Natak Akademi Award in 1956, the Kalidasa Samman in 1988, the Indira Gandhi Award for National Integration in 1990.
From music to movies
The Hindu, September 16, 2015
Srinivasa Ramanujam
Madurai Shanmukhavadivu Subbulakshmi, or MS, as she is popularly known, was a musical genius. But there was another side to her; she was also an actor.
Sevasadanam (1938)
Director: K Subrahmanyam
One of the early films to advocate reformist social policies, this project, said to be a film version of a Premchand novel, was directed by K Subrahmanyam. “It was he (K Subrahmanyam) who found a star in MS,” says Film News Anandan, film chronicler, “Sevasadanam, a film on social reform, ran very well in those days.”
Sakuntalai (1940)
Director: Ellis R. Dungan
A film on Shakuntala’s life, this film was directed by American director Ellis Dungan. It featured another Carnatic musician, G.N.Balasubramaniam, in the male lead. It was also the film that had MS in tears - because Ellis Dungan scolded her in front of everyone (with the permission of her husband, Sadasivam) in order to extract a befitting the performance! Sakuntalai featured many songs; two of them were six-minute songs, at a time when three-minute numbers were the norm.
Savithri (1941)
Director: Y.V.Rao
The title role of this flick was played by Marathi and Hindi star Shanta Apte, who learnt her lines in Tamil to play it to perfection. MS was also part of the team, but was cast in a male role – playing the character of Narada! This unique casting, the idea of the filmmaker (Y.V.Rao), caught the fancy of movie-going audiences and ensured that the film was the talk of the town. This project is also said to have raised funds for Kalki, the national Tamil weekly launched by Subbalakshmi’s husband, Sadasivam.
Meera (1945)
Director: Ellis R. Dungan
If her other films established her as an actor, MS became a national star after the release of Meera, first in Tamil and subsequently in Hindi. The historical film fully utilised MS’s singing prowess – the ‘Katrinile Varum Geetham’ number is popular to this day. The film’s Hindi version, which featured an introduction by Sarojini Naidu, catapulted Subbulakshmi to fame.
At music academy
The Hindu, December 10, 2014
• NITYA MENON
Witnessing the making of a musical legend
M.S. Subbulakshmi gave her first public performance in Madras at a concert organised by the Indian Fine Arts Society on December 28, 1933
Despite being a regular in the city’s concert circuit from 1933, earning a slot at the prestigious The Music Academy was not easy for M.S. Subbulakshmi
It was 81 years ago in 1933, when a 16-year-old M.S. Subbulakshmi moved from Madurai to the big city of Madras. Madras city, up until then, unfamiliar with the young singer, witnessed her first public performance at a concert organised by the Indian Fine Arts Society on December 28, the same year.
Accompanied by T. Gururajappa on the violin and her mother on the veena, Subbulakshmi performed at Saundarya Mahal in George Town. Despite receiving rave reviews and becoming a regular in the city’s concert circuit, earning a slot at the prestigious The Music Academy was not easy. M.S. had to prove herself before she could stake her claim to the Academy’s stage.
In 1934, M.S. enthusiastically participated in the theory sessions and lecture demonstrations during the Academy’s annual music conference. But, it was only in 1935 M.S. got an opportunity to showcase her talent at the Academy’s annual season. The Hindu, on January 1, 1935, published a four-line listing of the concert in the ‘Engagements for tomorrow’ column on page 12 of the paper. It read, ‘5.30 p.m.–7.30 p.m. Sri Subbalakshmi of Madura – Vocal, Mr. Sankaranarayana Aiyer – Violin, Hamsa Damayanti – Mridangam…’ The performance proved to be a turning point for M.S., with even The Hindu’s ‘hard-to-please’ music critic K.V. Ramamchandran being impressed.
In a picture of the group of musicians who participated in the music conference, published days after the concert on January 3, 1935, one can spot the adolescent M.S. wedged innocuously between two female artistes. At the time, the 18-year-old aspiring singer was probably oblivious to the fact that in the years to come, she would become one of the most celebrated cultural icons in the nation.
Therefore, being featured by The Music Academy during the Margazhi season, for the first time in 1935, may have seemed to the young girl, her biggest achievement yet, at that point of time.
