Ghatsila
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The Bibhutibhushan Bandyopadhyay connection
As of 2025
AkashDeep Ashok, June 15. 2025: The Times of India
From: AkashDeep Ashok, June 15. 2025: The Times of India
From: AkashDeep Ashok, June 15. 2025: The Times of India
From: AkashDeep Ashok, June 15. 2025: The Times of India
Flanked by a restless Subarnarekha river and an unassuming railway line that runs through the small town, Ghatsila reminds you of idyllic Nischindipur, where Satyajit Ray’s iconic Pather Panchali (Song of the Road) unfolds. It’s a drowsy, almost diffident, place that seems to have been bypassed by time. Maybe the resemblance is not entirely coincidental. This is where celebrated writer Bibhutibhushan Bandyopadhyay, who penned the unforgettable Bengali novel, spent many creative years of his life and breathed his last at the age of 56 in 1950.
The finest works of Bibhuti babu, as everyone refers to him in Ghatsila, include ‘Aparajito (Undefeated)’, ‘Aranyak (Of The Forest)’, and ‘Chander Pahar (Mountain Of The Moon)’. Director Shakti Samanta’s ‘Amar Prem’ (1972), a melancholic story of unrealised love, starring Rajesh Khanna and Sharmila Tagore, was based on a Bandyopadhyay short story, Hinger Kochuri. It has been 75 years since he passed away. But Bibhuti babu remains Ghatsila’s calling card. Hotels are named after him. So are sightseeing spots, libraries and grammar schools. He is present even on restaurant menus. In fact, the writer is everywhere.
Ghatsila is nestled in the lap of Dalma hills in Jharkhand’s East Singhbhum district, which shares a border with West Bengal’s Jhargram and Purulia districts on the east and north and Odisha’s Mayurbhanj to the south. At the spot where NH 33 turns towards Ghatsila, Jharkhand tourism department has built a hotel called Bibhuti Vihar. The town also has a Bibhuti Inn, owned by a businessman. A popular hotel on the banks of the Subarnarekha is named after a spot where the writer used to sit on moonlit nights and that he had named ‘Ratmohana’ (charmer of the night).
The house where Bibhuti babu lived is located in Dahigora, now the poshest part of town. The residence is called Gourikunj, after his first wife, who died during childbirth. The road leading to Gourikunj is called Apur Path — the road of Apu, the protagonist of the semi-autobiographical Pather Panchali. There’s more. A local society for the preservation of Bandyopadhyay’s house and his legacy is called Gourikunj Unnayan Samiti. Says its president, Tapas Chatterjee, “Nobody commands more respect than Bibhuti babu in Ghatsila.” “Not an inch of his house was encroached upon even though nobody lived there for 57 years. In 1950, when Bibhuti babu died, his second wife, Rama Chattopadhyay, and son Taradas Bandyopadhyay, who was three then, left the town. Taradas-ji gave us the NoC to construct this memorial in 2007, three years before his death. In between, the house lay in utter neglect and ruins,” Chatterjee said.
The Samiti also runs a Bengali language grammar school on Sundays, called Apur Pathshala, and a library called Bibhuti Smriti Sansthagar in Ghatshila. A cultural festival is hosted every year on Sept 12 to mark the writer’s birth anniversary. The story of how Bibhuti babu came to live in Ghatsila is fascinating. According to Chatterjee, a contractor from Ghatsila called Ashok Gupta had taken a loan from the writer when the latter was working as a teacher in Calcutta. Unable to pay him back in cash, Gupta decided to register the house in Ghatsila in Bibhuti babu’s name. “Bibhuti babu wanted his younger brother, Nutbihari Bandyopadhyay, who was a doctor, to settle in this town and had visited Ghatsila in 1938. He fell in love with this house and the town and never returned,” Chatterjee said. Since he was already an established name in Bengali literature, many other Calcutta writers, including Sahitya Akademi Awardee Gajendra Kumar Mitra (1908-1994), Pramatha Nath Bishi (1901-1985) and Subodh Ghosh (1909-1980), also built homes in Ghatsila. Bimal Roy’s ‘Sujata’ (1960) and Gulzar’s ‘Ijaazat’ (1989) were based on stories written by Ghosh. However, all left in due course. Except Bibhuti babu, who stayed on and wrote some of his most famous works in this town.
As a writer, Bibhuti babu shared a special bond with the quiet jungles on the town’s edge, the free-flowing river and forest dwellers. He had witnessed the exploitation of natural resources in the name of development when he went to Bhagalpur in Bihar as the assistant manager of a forest estate in Jan 1924. That assignment left a lasting impression on the writer and finds mention in works such as ‘Aranyak’ and the essay, ‘Hey Aranya Katha Kao (Oh Forest, Speak)’.
Ghatsila is full of such natural spots, like Burudi dam, Phuldungri Pahar and the banks of the Subarnarekha, where Bibhuti babu would sit with a pen and notebook for hours.
Situated 54km from Jamshedpur and 240km away from Kolkata, Ghatsila is a favourite of tourists from Bengal. Nearly 80% of the population here, including tribals, now speak the Bengali language. The locals, however, rue how some things are no longer the same. “Earlier, tourists came for longer durations, a month or, at times, even longer. They would rent out homes and stay like locals. Since they came here for a change of air, we called them ‘changers’,” said Rohit Kumar, manager of a private lodge in Ghatsila’s Phuldungri.
The new-age tourists come for a day or two. The neighbouring hill town of Belpahari in Jhargram district of West Bengal offers better amenities and takes away a major chunk of tourists.
But appreciation of the legacy of Bibhuti babu isn’t confined to visitors anymore. Supriti Murmu, wife of prominent Jharkhand state agitation leader Bablu Murmu, says, “I was drawn to this town because of Bibhuti babu. As a student of Bangla literature, we were influenced by his writings and wanted to experience the rural life he portrayed in his books.”
Supriti Murmu used to be a prominent leftwing student leader and was pursuing her graduation in Bangla literature in neighbouring Jhargram when her activism and her love for the writer brought her to Ghatsila in 1987. “I have been here since then,” she said. Bandyopadhyay’s works and his love for the forest dwellers resonates with the local tribal population as much as his books appeal to the Bengali intelligentsia.
At Gourikunj, his real legacy is the bond shared by everyone. An artist from Bengal recently painted scenes from Bandyopadhyay’s daily life in Ghatsila on the boundary walls of the house. On his birth anniversary, girls from tribal communities decorated Apur Path, the lane leading to the house, with beautiful Santhal patterns in the form of rangolis. Everyone and everything coming together to celebrate their one and only Bibhuti babu. ]
