Delhi: Havelis

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Picture courtesy: The Times of India, Aug 27 2015
Some facts: Havelies in Delhi; Picture courtesy: The Times of India, Aug 27 2015
Picture courtesy: The Times of India, Aug 27 2015

This is a collection of articles archived for the excellence of their content.

Contents

In brief

The Times of India, Aug 27 2015

Richi Verma

City's havelis losing fight against neglect and nature  The 150-year old haveli in Kucha Pati Ram that collapsed wasn't iconic just for its vintage. It had served as the backdrop of movies like Tanu Weds Manu and TV shows like Bahadurshah Zafar (aired on Doordarshan in the late 1980s), and commemorative events celebrating the life and works of Mirza Ghalib were regularly held here. Celebrities like Gulzar and Vishal Bhardwaj, too, visited it apart from scores of tourists who routinely came here to study unique havelis of the Walled City.

“Most havelis in the Walled City date to the post Mughal era. This one was among the first few to be built in the Walled City . It had a huge courtyard and small rooms, while in most havelis it's the other way around,“ said Vijay Singh, former deputy commissioner (City Zone) and advisor of a heritage charitable society. He had adopted the haveli many years ago and had been working on showcasing the heritage of these old buildings.

The haveli doubled as an interpretation centre and had pictures, old maps and drawings on the interior walls showcasing its rich past. “It was a common destination for heritage walk guides. The large courtyard was an added incentive,“ said an official.

Civic officials were still clearing the rubble on Wednesday afternoon, and inspection of the haveli wasn't possible. But they said three rooms in the front portion had collapsed while the courtyard was intact.Corporation officials didn't comment on the reason for collapse, but sources said seepage due to recent rains had weakened the walls. Many havelis are wither ing away due to decades of neglect. Owners can't afford to maintain them while civic agencies have looked away . Also, the Shahjahanabad Redevelopment Corporation that was set up to protect Old Delhi's heritage is yet to come up with a plan to preserve these havelis.

Many years ago, MCD had notified 767 heritage buildings, but never took any steps to preserve them.In 2007, Intach came out with a separate list of 738 privately-owned heritage havelis needing protection.With the list pending notification with the UD department for years, the number got reduced to 554 in 2014.

Kucha Pati Ram is known for houses with amazing facades, mostly dating to the early or late 19th century and early 20th centu ry. “The styles echo those of earlier centuries and give you a glimpse of how attractive and prosperous an Old Delhi residence used to be, says a description of the lane. Sadly , one of these grand reminders is now lost.

The state of the havelis/ heritage properties

2018

Paras Singh, Heritage crumbles as ambitions go sky high, April 10, 2018: The Times of India

Despite HC order, rampant unauthorised construction continues in Chandni Chowk
From: Paras Singh, Heritage crumbles as ambitions go sky high, April 10, 2018: The Times of India

A municipal corporation team visited some of the eight heritage properties in the Walled City recently on Delhi high court’s orders. The team was accompanied by the court-appointed amicus curiae Anil K Aggarwal and the petitioner as well. TOI tagged along with the team.

The team was led by commissioner Madhup Vyas and deputy commissioner Ruchika Katyal. The first stop was the Haksar Haveli, which is better known locally as Nehru haveli. The original structure is no longer present, just old lakhori brick walls. Five different shops are operating from there. A multistorey building covered with tarpaulin sheet right next to the site has become a contentious plot. Abdul Mueed, the owner of this property located near Sadak Prem Narayan said they were being unnecessarily targeted. “Why pick on just these properties? If the petitioner is so interested in heritage, why don’t they help in redeveloping the Haksar Haveli, which contains tonnes and tonnes of rubble? We will help them,” Mueed said. The builder has been booked for violation.

Down the road on Katra Dinanath near Chowasi Ghanta Mandir, a seven-storey building is coming up at ‘Rajmahal’ where once there were old structures with “mihrabs and jaalis”. The owner who didn’t wish to be named said the old building had kuchha construction and it had become too dangerous. But he didn’t answer why he was building seven floors.

A large number of houses in the neighbourhood have similar violations. Corporation officials from City-Sadar Paharganj zone said they would keep track of the violations. “Action under DMC Act has already been initiated against all these eight properties. Some have been ‘booked’ while demolition notices have been issued to others. We had carried out demolitions on March 16 as large scale unauthorised construction was going on there,” an official said.

At places, the team was surrounded by locals who also resorted to sloganeering.

Aggarwal said he was satisfied with the inspection. “The commissioner has now seen the construction and he has to take action as per the file on a case by case basis. At some properties he was little afraid that commotion may happen but that is understandable considering the environment,” Aggarwal said, adding that the team had also taken notice of the rampant unauthorised constructions at other properties and the court would be informed accordingly. “Taking action against a few properties here and there will not solve the problem. The court will have to go to the root cause of the problem,” Aggarwal said.

Sanjay Bhargava, president of Chandni Chowk Sarv Vyapar Mandal, spoke about the urgent need of action against rampant unauthorised constructions ruining Walled City’s heritage. “We have always been after Shahjahanabad Redevelopment Corporation to stop this. All the havelis are being destroyed, and the builder lobby is hand in glove with the corporation,” Bhargava said He added, “Foreigners don’t come to see CP-like markets but places like Chandni Chowk. But look at the mess.”

Most are unsafe

April 10, 2018: The Times of India

Jogiwada haveli is largely in ruins and retains only its crumbling ground-floor façade
From: April 10, 2018: The Times of India

Of the eight properties listed by the Delhi high court for illegal construction April 4, Haksar Haveli in Sita Ram Bazaar and another haveli in Jogiwada are notified heritage properties. Another haveli at Churiwalan is listed for notification by Intach but is pending.

Notified or not, these buildings regularly suffer from neglect and unauthorised constructions. Haksar Haveli may have a rich history going back to Jawaharlal Nehru, but that hasn’t stopped vandals from targeting it. Only small portions of the haveli still stand today; much of its original grandeur has vanished through the years.

The erstwhile Municipal Corporation of Delhi had brought out a list of heritage properties in the Walled City. There were 757 buildings in that for notification, but very few buildings were havelis. So Intach came out with a second list of buildings for notification that had 551buildings that were mostly havelis. These were notified in 2016. A third list is pending notification.

“Most of these havelis are over a century old and need protection. Owners, however, either don’t want to cooperate or don’t have the means to do it. These havelis need to be preserved as many of them are being altered beyond recognition. A notified heritage building cannot be altered but few pay attention to the rules,” said a heritage expert.

Haksar Haveli was in the original 2010 list of MCD. Today, it’s possible to miss it completely. Most parts of the original building have either collapsed or been demolished through the years, and only a narrow lane for entry could be seen. Entry is restricted though locals all know the structure for being the famous Haksar Haveli where Nehru married Kamala Nehru.

The Jogiwada haveli was in the second list. “This haveli is largely in ruins and retains only its crumbling ground-floor facade. The building has an early colonial design with the use of an ornate entablature for its pointed arch entrance,” said an expert.

Many havelis are fading away like this despite growing awareness. “It doesn’t matter if a property is notified heritage building or not as the north corporation has failed to check violations. People are defacing buildings, constructing additional floors, altering the original design or simply letting the building fall to pieces because they can’t afford repairs,” said a resident of Kucha Pati Ram.

The high court order gives hope, nevertheless.

Restorations and revivals

2025 A

March 29, 2025: The Times of India

Once in a state of disrepair, Haveli Dharampura in Old Delhi has undergone a remarkable transformation over the past five years
From: March 29, 2025: The Times of India
An article in The Times of India highlighting the neglected condition of Neem ki Haveli
From: March 29, 2025: The Times of India
conservationist Atul Khanna to adopt Neem ki Haveli as a restoration project
From: March 29, 2025: The Times of India

As cities grapple with the twin issues of a rising population and shrinking space, the repurposing of these neglected structures often helps. Delhi, a city steeped in centuries of history, is no stranger to this transformative trend. With its rich heritage, the capital offers many examples of adaptive reuse.


Take Haveli Dharampura and Golden Haveli, for example—they stand as modern marvels within the embrace of historic walls. Once a testament to the grandeur of the Mughal era, the havelis and lively streets of Shahjahanabad have fallen victim to the ravages of time and neglect. Haveli Dharampura, constructed in 1887, was among them. Hidden in the winding alleys of Chawri Bazaar and Kucha Seth, it was once deemed a 'dangerous building'. However, the haveli was revived after former BJP minister Vijay Goel took it up as a personal project, breathing new life into it.


“When my father first brought me here, he said we were going to the Taj Mahal. I was completely shocked by the state of the building and couldn’t understand why he was so happy about it,” shared director of Haveli Dharampura Vidyun Goel. 
The haveli had fallen into disrepair, burdened by ad hoc additions, structural damage, and partial collapse. Cracks, damaged pipes, and hanging wires added to the chaos, demanding urgent intervention. Restoration spanned five years, involving 50 craftsmen and a determined effort to revive the original glory. The haveli now offers luxurious stays in its 14 rooms, including suites.


“Work began with stabilising the structure and carefully removing later additions, revealing the haveli’s authentic form. The Dholpur stone pillars that had lost their original sheen under thick paints were cleaned and found to be in perfect condition. With each and every carving details found still legible, the situation became under control,” Vidyun said.
She added, “The old Sal wood joists and planks of the ceiling were termite affected some of which had to be replaced and other were reused after appropriate anti-termite treatment. Masons who had the knowledge of working with lime and other traditional methods, were looked for and employed”.


The work primarily involved structural repairs and strengthening of all load-bearing elements, including rebuilding of damaged walls, stitching of cracks, and filling and grouting of voids. “The structure was relieved of tonnes and tonnes of extra loading from the roof slab as the building was suffering from its own load. The collapsed second floor was rebuilt. All missing architectural elements like the pillars, brackets and chajja were replicated in the same scale, design and finish,” explained Vidyun.


The unique part in the restoration of this haveli was that some material was changed with something that could be produced more and was cost-effective. This, Vidyun said, was to encourage other owners who otherwise worry about the cost involved in the restoration.


Once the structural restoration was complete, the adaptive reuse of the haveli was planned and accordingly 14 rooms, including suites, and toilets were introduced within the old layout. The ground floor has a museum, restaurant, lounges and other spaces.


Each room is uniquely themed to capture the essence of Chandni Chowk, with customdesigned furniture and lighting that complement the overall atmosphere. Guests can also experience the charm of traditional activities such as kabootarbaazi (pigeon flying) and patangbaazi (kite flying). From the Haveli's viewing gallery, visitors can enjoy breathtaking views of iconic landmarks, including the Red Fort, Jama Masjid, Gurdwara Shishganj and the Baptist Church.


Just 100 metres away lies another treasure. The Golden Haveli. Just like Haveli Dharampura, this heritage haveli was also brought to life by Goel. “This haveli is more colourful and golden colour has been used a lot, so we decided to call it Golden Haveli. We have retained the original aesthetics and elements of the haveli in line with conservation principles. The jaalis and pillars are original,” said Vidyun.


The entrance facade is beautifully embellished with intricate floral carvings and alcoves, featuring a central wooden door. However, Goel voiced his concerns about the restoration pro- cess, stating, "People lack incentives for heritage conservation. The owners of these havelis often don't have the resources or means to restore their properties, and they require support from the government."


Architects say adaptive reuse allows the transformation of abandoned structures into public spaces and cultural hubs at a fraction of the cost of constructing new buildings. It also helps revitalise urban areas by activating abandoned, underutilised or neglected spaces within the city, enhancing the city’s look.
Another unique museum-haveli in Old Delhi, Kathika Cultural Centre is a shining example of how a dilapidated structure can be transformed into a vibrant cultural hub. Nestled in the historic Kucha Pati Ram area, the centre serves as a storyteller, bringing to life the captivating narratives of cultural history.


The transformation began in 2015 when Atul Khanna, a heritage conservationist and patron of art and culture, took on the challenge of restoring two 19th-century havelis. Facing each other, the havelis had fallen into disrepair, and it took Khanna, along with a team of architects, over eight years to restore them to their former glory. The team referred to archival photographs by Mahatta to guide the restoration process. One haveli was repurposed into the cultural centre, while the other, Neem Ki Haveli, retained a more rustic charm, offering spaces for dining.


Khanna’s connection with the area and its heritage runs deep. As a child, he lived with his family in a haveli in Katra Neel, Chandni Chowk. His passion for preserving heritage began when he discovered Shekhawati, a region dotted with abandoned havelis. “Heritage is close to my heart. When I first started, I came across an article in The Times of India about the neglect of Delhi’s havelis. The article featured a haveli in poor condition, and that motivated me to find it and restore it,” Khanna recalls. This framed article now hangs at the entrance of one of the havelis as a reminder of the past.
Kathika Trust, which runs the cultural centre, is dedicated to preserving architectural treasures while promoting adaptive reuse and sustainable development. The haveli, now a fusion of art and architecture, showcases a personal collection of everyday artifacts and artistic treasures. Visitors can also explore a curated library offering insights into the rich history and narratives of Delhi.


Khanna’s approach to restoration is personal and hands-on. “For me, restoring a haveli is like saving a life. I learned most of what I know from old craftsmen. I’m not a historian or an architect, but I wanted to save these havelis. I worked with local masons and architects to figure out how to restore them, without losing their essence. It’s a canvas for me, where I blend the traditional with the contemporary,” he said.


The first step in the restoration process was ensuring the structure’s strength with the help of experts. Khanna emphasised that the foundation must be solid before proceeding. “The central courtyard, or aangan, is an important element of these havelis, so I focused on recreating that,” he added.


Today, the Kathika Cultural Centre hosts a variety of cultural experiences, including dance and music performances, Sufi nights, community meet-ups, brunches, neighbourhood walks, and baithaks.

Some of the better-known havelis

Lahori Gate Haveli in Khari Baoli

Lahori Gate Haveli in old Delhi’s Khari Baoli is 95 years old, as in 2023
From: Vibha Sharma, Nov 10, 2023: The Times of India

See graphic:

Lahori Gate Haveli in old Delhi’s Khari Baoli is 95 years old, as of 2023

Vibha.Sharma adds: The haveli, located at the intersection of Khari Baoli and Naya Bazar known as Vasudev Captain Chowk, is a municipal property built in 1929. The structure, which served as a single-room dispensary till 2003, was restored and inaugurated in 2004. MCD has planned to establish a museum at the haveli to showcase the cultural diversity of Shahjahanabad, a city founded by Mughal emperor Shah Jahan in the mid-17th century

Shri Narayan Haveli (near Vasudev Captain Chowk)

Paras Singh, Restored in 2004, haveli to now serve as museum, May 17, 2018: The Times of India

Commercial outfits have taken over after restoration of Shri Narayan Haveli at Vasudev Captain Chowk, Delhi
From: Paras Singh, Restored in 2004, haveli to now serve as museum, May 17, 2018: The Times of India

1929 Building To Display Walled City’s Heritage

Vasudev Captain Chowk is a busy intersection where roads branch off to Khari Baoli, Swami Sharaddhanand Marg and Naya Bazar. It is a typically chaotic part of Old Delhi, noisy and crowded. Amid the disorder, there might now be a reason to take a break and enter a noble, yellow and red-brown structure of some vintage. The building is a classic Shahjahanabad haveli, restored in 2004 but lying neglected and encroached since. It is now to transform into a museum showcasing the old culture of the Walled City.

North Delhi Municipal Corporation has started the process to hire experts and architects to redevelop the 1929-built heritage residence, informally called Shri Narayan Haveli. At the moment, several commercial outfits have taken over parts of the complex and the building itself shows signs of dilapidation, particular on its jharokhas and the roof. A corporation official, mandated to oversee the revival project, said, “The two-storey haveli had been under lock and key for over a decade. We have now started whitewashing the interiors and issued the tender for hiring cultural experts and architects.”

This haveli is a municipal property from where a one-room dispensary used to function prior to 2003. The restored structure was inaugurated in 2004, but nothing much changed beyond this. A dusty plaque declaring the building to be the ‘Walled City Museum’ and the cavernous, empty rooms are cruel reminders of a failed project.

When TOI visited the haveli on Wednesday, it found several encroachers like barbers, workers and others residing on the outer premises of the complex. A section of the ornate balcony facing the road to Khari Baoli had fallen off, while the decaying walls were covered by several illegal hoardings. The anterior portion of the structure had been recently whitewashed. Nanhe, a resident of the locality, informed, “The courtyard of the haveli served as a parking lot for shopkeepers and was cleared of the encroachments only a few days ago.”

Civic officials disclosed that artefacts, old pictures, books, paintings and a collection of items like old jharokhas and pillars from the Mughal era (Shahjahanabad post-1638) would be displayed in the new museum to make it a one-stop centre for people wanting a peek into Delhi’s historic past. A library and landscaping of the surroundings are also in the pipeline.

“We will also revive some of the plans from the 2004 project such as recreating glimpses of the Kinari Bazaar, the typical baithaks (drawing rooms) of havelis and the bangle markets of Old Delhi,” the official added. The financially strained corporation will fund the project using money allocated by the Union ministry of culture. “The overall project cost is around Rs 4 crore. We received the first instalment of Rs 80 lakh last year,” the official added.

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